Lil Freaky
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 54/100
- Pop
- 47/100
- Length
- 3:30
- Released
- 2025
- Genre
- Tech House
- Loudness
- -6.2 dB
- Dynamics
- 11.2 dB
- ISRC
- GBKQU2544418
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Lil Freaky sits in B minor (10A) at 128 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Calmer than 96% of Michael Bibi's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 93% of Michael Bibi's catalogue
- Reach:
- better known than 90% of Michael Bibi's catalogue
- Low end:
- more treble-tilted than 79% of Michael Bibi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lil Freaky in?
Lil Freaky by Michael Bibi is in B minor, or 10A on the Camelot wheel.
What BPM is Lil Freaky?
Lil Freaky runs at 128 BPM, a peak-time tempo track.
What mixes well with Lil Freaky?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Lil Freaky good for peak time?
With energy 54 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Michael Bibi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
