Hanging Tree by Michael Bibi cover art

Hanging Tree

Michael Bibi

Key
8A · A minor
BPM
127
Open Key
1m
Energy
94/100
Pop
5/100
Length
6:12
Released
2018
Genre
Tech House
Loudness
-5.9 dB
ISRC
GBK6Y1844601

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 127 BPM in A minor (8A), Hanging Tree is a peak-time tempo tech house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Hotter than 96% of Michael Bibi's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 91% of Michael Bibi's catalogue
Reach:
more underground than 91% of Michael Bibi's catalogue
Brightness:
brighter than 79% of Michael Bibi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood76Bright
Groove85
Acoustic0
Instrumental86
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Hanging Tree in?

Hanging Tree by Michael Bibi is in A minor, or 8A on the Camelot wheel.

What BPM is Hanging Tree?

Hanging Tree runs at 127 BPM, a peak-time tempo track.

What mixes well with Hanging Tree?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Hanging Tree good for peak time?

With energy 94 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Michael Bibi

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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