Pumbaya - Matt Henshaw Remix by Michael Bibi cover art

Pumbaya - Matt Henshaw Remix

Michael Bibi

30s preview

Key
3B · D♭ major
BPM
123
Open Key
8d
Energy
91/100
Pop
5/100
Length
6:03
Released
2015
Album
Clarity EP
Genre
Tech House
Loudness
-11.0 dB
Dynamics
13.8 dB
ISRC
GBKQU1538756

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 123 BPM), this version holds the same tempo and moves the key from 9B to 3B.

A club-tempo tech house cut, Pumbaya - Matt Henshaw Remix sits in D♭ major (3B) at 123 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. More underground than 91% of Michael Bibi's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 88% of Michael Bibi's catalogue
Low end:
more treble-tilted than 88% of Michael Bibi's catalogue
Energy:
hotter than 87% of Michael Bibi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood47Balanced
Groove82
Acoustic0
Instrumental87
Live6
Speech17

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Pumbaya - Matt Henshaw Remix in?

Pumbaya - Matt Henshaw Remix by Michael Bibi is in D♭ major, or 3B on the Camelot wheel.

What BPM is Pumbaya - Matt Henshaw Remix?

Pumbaya - Matt Henshaw Remix runs at 123 BPM, a club-tempo track.

What mixes well with Pumbaya - Matt Henshaw Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Pumbaya - Matt Henshaw Remix good for peak time?

With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Michael Bibi

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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