Afterhours
30s preview
- BPM
- 123
- Open Key
- 7d
- Energy
- 92/100
- Pop
- 19/100
- Length
- 5:32
- Released
- 2019
- Genre
- Tech House
- Label
- This Ain't Bristol
- Loudness
- -7.4 dB
- Dynamics
- 8.4 dB
- ISRC
- DEY471981279
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Afterhours - Radio Editversion11A · 123
At 123 BPM in F♯ major (2B), Afterhours is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of John Summit's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 96% of John Summit's catalogue
- Brightness:
- brighter than 94% of John Summit's catalogue
- Groove:
- groovier than 88% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Afterhours in?
Afterhours by John Summit is in F♯ major, or 2B on the Camelot wheel.
What BPM is Afterhours?
Afterhours runs at 123 BPM, a club-tempo track.
What mixes well with Afterhours?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Afterhours good for peak time?
With energy 92 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
