How Far - Gene Farris Big One Remix by Anthony Attalla cover art

How Far - Gene Farris Big One Remix

Anthony Attalla

30s preview

Key
8A · A minor
BPM
123
Open Key
1m
Energy
91/100
Pop
0/100
Length
6:52
Released
2016
Album
How Far
Genre
Tech House
Loudness
-11.9 dB
Dynamics
10.8 dB
ISRC
DEY471611947

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 122 BPM), this version runs 1 BPM faster and moves the key from 9B to 8A.

How Far - Gene Farris Big One Remix is a club-tempo tech house track in A minor (8A) at 123 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Anthony Attalla's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 95% of Anthony Attalla's catalogue
Groove:
groovier than 76% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood61Balanced
Groove80
Acoustic0
Instrumental90
Live5
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is How Far - Gene Farris Big One Remix in?

How Far - Gene Farris Big One Remix by Anthony Attalla is in A minor, or 8A on the Camelot wheel.

What BPM is How Far - Gene Farris Big One Remix?

How Far - Gene Farris Big One Remix runs at 123 BPM, a club-tempo track.

What mixes well with How Far - Gene Farris Big One Remix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is How Far - Gene Farris Big One Remix good for peak time?

With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Anthony Attalla

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track