Heard It All Before (extended mix)
- BPM
- 123
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 6/100
- Length
- 5:16
- Released
- 2018
- Genre
- House
- Loudness
- -6.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heard It All Before - Dommix Remixremix4B · 130
- Heard It All Before - Low Steppa Boiling Point Extended Mixversion3A · 123
- Heard It All Before - Low Steppa's Warehouse Mixoriginal2B · 123
- Heard It All Beforeoriginal3A · 123
- Heard It All Before - Low Steppa Boiling Point Mixoriginal3A · 123
- Heard It All Before - Mike Millrain & Mick James Extended Remixremix3A · 123
Against the original (2B at 123 BPM), this version holds the same tempo and moves the key from 2B to 3A.
Heard It All Before (extended mix) runs 123 BPM in B♭ minor (3A), a club-tempo house record. It is vocal-led. A 2018 production that still circulates in sets. Slower than 91% of Low Steppa's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Heard It All Before (extended mix) in?
Heard It All Before (extended mix) by Low Steppa is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Heard It All Before (extended mix)?
Heard It All Before (extended mix) runs at 123 BPM, a club-tempo track.
What mixes well with Heard It All Before (extended mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Heard It All Before (extended mix) good for peak time?
With energy 92 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Low Steppa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
