Heard It All Before - Dommix Remix
30s preview
- BPM
- 130
- Open Key
- 9d
- Energy
- 65/100
- Pop
- 14/100
- Length
- 3:02
- Released
- 2019
- Album
- Heard It All Before (Dommix Remix)
- Genre
- Garage House
- Label
- Armada Deep
- Loudness
- -6.4 dB
- Dynamics
- 8.1 dB
- ISRC
- NLF711900038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heard It All Before - Low Steppa Boiling Point Extended Mixversion3A · 123
- Heard It All Before - Low Steppa's Warehouse Mixoriginal2B · 123
- Heard It All Before (extended mix)version3A · 123
- Heard It All Beforeoriginal3A · 123
- Heard It All Before - Low Steppa Boiling Point Mixoriginal3A · 123
- Heard It All Before - Mike Millrain & Mick James Extended Remixremix3A · 123
Against the original (2B at 123 BPM), this version runs 7 BPM faster and moves the key from 2B to 4B.
At 130 BPM in A♭ major (4B), Heard It All Before - Dommix Remix is a peak-time tempo garage house production. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 97% of Low Steppa's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 96% of Low Steppa's catalogue
- Energy:
- calmer than 94% of Low Steppa's catalogue
- Low end:
- more bass-heavy than 88% of Low Steppa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Heard It All Before - Dommix Remix in?
Heard It All Before - Dommix Remix by Low Steppa is in A♭ major, or 4B on the Camelot wheel.
What BPM is Heard It All Before - Dommix Remix?
Heard It All Before - Dommix Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Heard It All Before - Dommix Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Heard It All Before - Dommix Remix good for peak time?
With energy 65 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More garage house
More from Low Steppa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
