Feel My Freak - ZDS Remix by Michael Bibi cover art

Feel My Freak - ZDS Remix

Michael Bibi

30s preview

Key
6B · B♭ major
BPM
122
Open Key
11d
Energy
73/100
Pop
5/100
Length
6:20
Released
2014
Album
Feel My Freak EP
Genre
Tech House
Loudness
-10.3 dB
Dynamics
12.6 dB
ISRC
GBQC71400006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 124 BPM), this version runs 2 BPM slower and moves the key from 3B to 6B.

A club-tempo tech house cut, Feel My Freak - ZDS Remix sits in B♭ major (6B) at 122 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Slower than 96% of Michael Bibi's catalogue. In a set it works best as a floor-filler.

Reach:
more underground than 91% of Michael Bibi's catalogue
Brightness:
darker than 79% of Michael Bibi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood36Balanced
Groove81
Acoustic0
Instrumental91
Live4
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Feel My Freak - ZDS Remix in?

Feel My Freak - ZDS Remix by Michael Bibi is in B♭ major, or 6B on the Camelot wheel.

What BPM is Feel My Freak - ZDS Remix?

Feel My Freak - ZDS Remix runs at 122 BPM, a club-tempo track.

What mixes well with Feel My Freak - ZDS Remix?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Feel My Freak - ZDS Remix good for peak time?

With energy 73 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 122 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Michael Bibi

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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