![Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e3cde7c2cc8a94efe72e.webp)
Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix
- Key
- 9A · E minor
- BPM
- 115
- Open Key
- 2m
- Energy
- 74/100
- Pop
- 6/100
- Length
- 3:10
- Released
- 2017
- Album
- I Want You vs. Operator Remixes
- Genre
- Tech House
- Label
- Owsla
- Loudness
- -5.8 dB
- ISRC
- USAT21702349
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Operator (Ring Ring) [feat. Dances With White Girls]original11A · 125
- Operator (Ring Ring) [feat. Dances With White Girls] - Will Clarke Remixremix10A · 125
Against the original (11A at 125 BPM), this version runs 10 BPM slower and moves the key from 11A to 9A.
Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix is a mid-tempo tech house track in E minor (9A) at 115 BPM. The groove is strong and floor-ready. A 2017 production that still circulates in sets. Slower than 99% of Chris Lake's catalogue. In a set it works best as a floor-filler.
- Energy:
- calmer than 82% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix in?
Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix by Chris Lake is in E minor, or 9A on the Camelot wheel.
What BPM is Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix?
Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix runs at 115 BPM, a mid-tempo track.
What mixes well with Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Operator (Ring Ring) [feat. Dances With White Girls] - Mr. Oizo Remix good for peak time?
With energy 74 out of 100 at 115 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 115 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More tech house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
