What I Used To Play by Sven Väth cover art

What I Used To Play

Sven Väth

30s preview

Key
1A · A♭ minor
BPM
115
Open Key
6m
Energy
78/100
Pop
21/100
Length
7:36
Released
2022
Album
Catharsis
Genre
Tech House
Label
Cocoon Recordings
Loudness
-9.0 dB
Dynamics
12.4 dB
ISRC
DEQ202200001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 115 BPM in A♭ minor (1A), What I Used To Play is a mid-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 92% of Sven Väth's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 88% of Sven Väth's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood57Balanced
Groove71
Acoustic1
Instrumental83
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is What I Used To Play in?

What I Used To Play by Sven Väth is in A♭ minor, or 1A on the Camelot wheel.

What BPM is What I Used To Play?

What I Used To Play runs at 115 BPM, a mid-tempo track.

What mixes well with What I Used To Play?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is What I Used To Play good for peak time?

With energy 78 out of 100 at 115 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 115 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

#Track

More tech house

More from Sven Väth

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track