Control
- BPM
- 115
- Open Key
- 4d
- Energy
- 65/100
- Pop
- 1/100
- Length
- 7:49
- Released
- 2022
- Genre
- Electro
- Loudness
- -10.8 dB
- ISRC
- DEBE72200693
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 115 BPM in A major (11B), Control is a mid-tempo electro production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 79% of Sydka's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 78% of Sydka's catalogue
- Energy:
- hotter than 76% of Sydka's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Control in?
Control by Sydka is in A major, or 11B on the Camelot wheel.
What BPM is Control?
Control runs at 115 BPM, a mid-tempo track.
What mixes well with Control?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Control good for peak time?
With energy 65 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 115 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More electro
More from Sydka
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
