Warm Up of the Oars by Sigma cover art

Warm Up of the Oars

Sigma

Key
8B · C major
BPM
79
Double-time
158
Open Key
1d
Energy
22/100
Pop
0/100
Length
9:54
Released
2009
Genre
Drum N Bass
Loudness
-30.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Warm Up of the Oars runs 79 BPM in C major (8B), a drum n bass record. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Less groove-driven than 99% of Sigma's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
more underground than 99% of Sigma's catalogue
Energy:
calmer than 98% of Sigma's catalogue
Tempo:
slower than 98% of Sigma's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy22
Mood14Dark
Groove18
Acoustic53
Instrumental29
Live67
Speech13

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Warm Up of the Oars in?

Warm Up of the Oars by Sigma is in C major, or 8B on the Camelot wheel.

What BPM is Warm Up of the Oars?

Warm Up of the Oars runs at 79 BPM.

What mixes well with Warm Up of the Oars?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Warm Up of the Oars good for peak time?

With energy 22 out of 100 at 79 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 79 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 74-84 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 79 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Sigma

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 79 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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