Fifth Time Out
- Key
- 8B · C major
- BPM
- 158
- Half-time
- 79
- Open Key
- 1d
- Energy
- 22/100
- Pop
- 9/100
- Length
- 6:15
- Released
- 2024
- Album
- MAW Lost Tapes 18
- Genre
- Latin
- Loudness
- -16.7 dB
- ISRC
- GBKQU2485198
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fifth Time Out runs 158 BPM in C major (8B), a fast latin record. It reads as warm and mellow. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Masters At Work's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 99% of Masters At Work's catalogue
- Groove:
- less groove-driven than 98% of Masters At Work's catalogue
- Tempo:
- faster than 97% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fifth Time Out in?
Fifth Time Out by Masters At Work is in C major, or 8B on the Camelot wheel.
What BPM is Fifth Time Out?
Fifth Time Out runs at 158 BPM, a fast track.
What mixes well with Fifth Time Out?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Fifth Time Out good for peak time?
With energy 22 out of 100 at 158 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 158 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 149-167 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 158 — beatmatch without a big tempo pull.
More latin
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 158 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.