
Suyo perdido
30s preview
- Key
- 8A · A minor
- BPM
- 75
- Double-time
- 150
- Open Key
- 1m
- Energy
- 36/100
- Pop
- 15/100
- Length
- 4:24
- Released
- 2024
- Genre
- Cumbia
- Loudness
- -19.0 dB
- Dynamics
- 11.7 dB
- ISRC
- NL1GH2400709
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Suyo perdido is a cumbia track in A minor (8A) at 75 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 99% of Nicola Cruz's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Nicola Cruz's catalogue
- Low end:
- more treble-tilted than 98% of Nicola Cruz's catalogue
- Energy:
- calmer than 95% of Nicola Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 44%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Suyo perdido in?
Suyo perdido by Nicola Cruz is in A minor, or 8A on the Camelot wheel.
What BPM is Suyo perdido?
Suyo perdido runs at 75 BPM.
What mixes well with Suyo perdido?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Suyo perdido good for peak time?
With energy 36 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 75 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More cumbia
More from Nicola Cruz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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