Señor de las piedras
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 5d
- Energy
- 63/100
- Pop
- 7/100
- Length
- 5:48
- Released
- 2019
- Genre
- House
- Loudness
- -12.7 dB
- Dynamics
- 15.9 dB
- ISRC
- GBGLW1900437
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 142 BPM in E major (12B), Señor de las piedras is a driving up-tempo house production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Faster than 79% of Nicola Cruz's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 77% of Nicola Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Señor de las piedras in?
Señor de las piedras by Nicola Cruz is in E major, or 12B on the Camelot wheel.
What BPM is Señor de las piedras?
Señor de las piedras runs at 142 BPM, a driving up-tempo track.
What mixes well with Señor de las piedras?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Señor de las piedras good for peak time?
With energy 63 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
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How to mix it
In 12B at 142 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More house
More from Nicola Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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