V Gets Jazzy - Ritual Dub
30s preview
- Key
- 9B · G major
- BPM
- 143
- Half-time
- 72
- Open Key
- 2d
- Energy
- 30/100
- Pop
- 10/100
- Length
- 6:15
- Released
- 2005
- Album
- V Gets Jazzy
- Genre
- House
- Loudness
- -12.3 dB
- Dynamics
- 12.1 dB
- ISRC
- US4DK0400073
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- V Gets Jazzy - Todd Terry Remixremix10A · 127
- V Gets Jazzy - Dance Ritual Mixoriginal9B · 127
- V Gets Jazzy - Instrumental Mixoriginal9B · 127
- V Gets Jazzy - Roots Dubversion9B · 127
- V Gets Jazzy - Todd Terry Instrumentaloriginal10A · 127
Against the original (9B at 127 BPM), this version runs 16 BPM faster in the same key.
V Gets Jazzy - Ritual Dub runs 143 BPM in G major (9B), a driving up-tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2005 production that still circulates in sets. Calmer than 99% of Louie Vega's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 99% of Louie Vega's catalogue
- Brightness:
- darker than 99% of Louie Vega's catalogue
- Groove:
- less groove-driven than 97% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is V Gets Jazzy - Ritual Dub in?
V Gets Jazzy - Ritual Dub by Louie Vega is in G major, or 9B on the Camelot wheel.
What BPM is V Gets Jazzy - Ritual Dub?
V Gets Jazzy - Ritual Dub runs at 143 BPM, a driving up-tempo track.
What mixes well with V Gets Jazzy - Ritual Dub?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is V Gets Jazzy - Ritual Dub good for peak time?
With energy 30 out of 100 at 143 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 143 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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