Liebesfreud (Live At Pierre Boulez Saal, Berlin)
30s preview
- BPM
- 71
- Double-time
- 142
- Open Key
- 3m
- Energy
- 41/100
- Pop
- 12/100
- Length
- 4:12
- Released
- 2024
- Album
- Live At Pierre Boulez Saal, Berlin
- Genre
- Minimal
- Loudness
- -19.1 dB
- Dynamics
- 15.9 dB
- ISRC
- CHB982410003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Liebesfreud (Live At Pierre Boulez Saal, Berlin): minimal, B minor (10A), 71 BPM. Tonally it lands balanced in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Slower than 98% of Acid Pauli's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 97% of Acid Pauli's catalogue
- Low end:
- more treble-tilted than 95% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Liebesfreud (Live At Pierre Boulez Saal, Berlin) in?
Liebesfreud (Live At Pierre Boulez Saal, Berlin) by Acid Pauli is in B minor, or 10A on the Camelot wheel.
What BPM is Liebesfreud (Live At Pierre Boulez Saal, Berlin)?
Liebesfreud (Live At Pierre Boulez Saal, Berlin) runs at 71 BPM.
What mixes well with Liebesfreud (Live At Pierre Boulez Saal, Berlin)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Liebesfreud (Live At Pierre Boulez Saal, Berlin) good for peak time?
With energy 41 out of 100 at 71 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 71 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 67-75 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 71 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 71 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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