The Day Breaks, the Shadows Flee Away
- Key
- 8A · A minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 1m
- Energy
- 47/100
- Pop
- 3/100
- Length
- 8:03
- Released
- 2023
- Genre
- Minimal
- Loudness
- -10.4 dB
- ISRC
- FXQ932300130
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Day Breaks, the Shadows Flee Away runs 140 BPM in A minor (8A), a driving up-tempo minimal record. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. Less groove-driven than 95% of Acid Pauli's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 89% of Acid Pauli's catalogue
- Brightness:
- darker than 79% of Acid Pauli's catalogue
- Reach:
- more underground than 77% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Day Breaks, the Shadows Flee Away in?
The Day Breaks, the Shadows Flee Away by Acid Pauli is in A minor, or 8A on the Camelot wheel.
What BPM is The Day Breaks, the Shadows Flee Away?
The Day Breaks, the Shadows Flee Away runs at 140 BPM, a driving up-tempo track.
What mixes well with The Day Breaks, the Shadows Flee Away?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The Day Breaks, the Shadows Flee Away good for peak time?
With energy 47 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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