You Ain't Seen Nothin' Yet
- Key
- 8B · C major
- BPM
- 139
- Open Key
- 1d
- Energy
- 32/100
- Pop
- 0/100
- Length
- 4:56
- Released
- 2002
- Genre
- Tech House
- Loudness
- -10.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Ain't Seen Nothin' Yet: driving up-tempo tech house, C major (8B), 139 BPM. It is vocal-led. The master keeps real dynamic headroom. A 2002 production that still circulates in sets. Calmer than 99% of Danny Howard's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Danny Howard's catalogue
- Tempo:
- faster than 97% of Danny Howard's catalogue
- Groove:
- less groove-driven than 96% of Danny Howard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Ain't Seen Nothin' Yet in?
You Ain't Seen Nothin' Yet by Danny Howard is in C major, or 8B on the Camelot wheel.
What BPM is You Ain't Seen Nothin' Yet?
You Ain't Seen Nothin' Yet runs at 139 BPM, a driving up-tempo track.
What mixes well with You Ain't Seen Nothin' Yet?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You Ain't Seen Nothin' Yet good for peak time?
With energy 32 out of 100 at 139 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 139 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More tech house
More from Danny Howard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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