Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin)
- Key
- 9B · G major
- BPM
- 69
- Double-time
- 138
- Open Key
- 2d
- Energy
- 16/100
- Pop
- 9/100
- Length
- 4:46
- Released
- 2024
- Album
- Live At Pierre Boulez Saal, Berlin
- Genre
- Minimal
- Loudness
- -20.1 dB
- ISRC
- DGA082476651
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 69 BPM in G major (9B), Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin) is a minimal production. The feel is brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Slower than 99% of Acid Pauli's catalogue.
- Groove:
- less groove-driven than 99% of Acid Pauli's catalogue
- Energy:
- calmer than 98% of Acid Pauli's catalogue
- Brightness:
- darker than 92% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin) in?
Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin) by Acid Pauli is in G major, or 9B on the Camelot wheel.
What BPM is Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin)?
Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin) runs at 69 BPM.
What mixes well with Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Ouverture Au Couvent (Live At Pierre Boulez Saal, Berlin) good for peak time?
With energy 16 out of 100 at 69 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 69 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 65-73 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 69 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 69 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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