Fantaisie (Live At Pierre Boulez Saal, Berlin)
30s preview
- BPM
- 133
- Open Key
- 5m
- Energy
- 13/100
- Pop
- 14/100
- Length
- 3:32
- Released
- 2024
- Album
- Live At Pierre Boulez Saal, Berlin
- Genre
- Minimal
- Loudness
- -20.5 dB
- Dynamics
- 18.2 dB
- ISRC
- CHB982410001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fantaisie (Live At Pierre Boulez Saal, Berlin): peak-time tempo minimal, D♭ minor (12A), 133 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 99% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 98% of Acid Pauli's catalogue
- Low end:
- more treble-tilted than 97% of Acid Pauli's catalogue
- Brightness:
- darker than 96% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Fantaisie (Live At Pierre Boulez Saal, Berlin) in?
Fantaisie (Live At Pierre Boulez Saal, Berlin) by Acid Pauli is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Fantaisie (Live At Pierre Boulez Saal, Berlin)?
Fantaisie (Live At Pierre Boulez Saal, Berlin) runs at 133 BPM, a peak-time tempo track.
What mixes well with Fantaisie (Live At Pierre Boulez Saal, Berlin)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Fantaisie (Live At Pierre Boulez Saal, Berlin) good for peak time?
With energy 13 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 133 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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