Take Heaven
- Key
- 7A · D minor
- BPM
- 139
- Open Key
- 12m
- Energy
- 67/100
- Pop
- 9/100
- Length
- 7:51
- Released
- 2023
- Genre
- Minimal
- Loudness
- -10.1 dB
- ISRC
- FXQ932300050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Take Heaven: driving up-tempo minimal, D minor (7A), 139 BPM. The feel is dark and driving. The master keeps real dynamic headroom. Less groove-driven than 92% of Acid Pauli's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 88% of Acid Pauli's catalogue
- Brightness:
- darker than 82% of Acid Pauli's catalogue
- Energy:
- hotter than 80% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take Heaven in?
Take Heaven by Acid Pauli is in D minor, or 7A on the Camelot wheel.
What BPM is Take Heaven?
Take Heaven runs at 139 BPM, a driving up-tempo track.
What mixes well with Take Heaven?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Take Heaven good for peak time?
With energy 67 out of 100 at 139 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 139 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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