El Origen (Nicola Cruz Remix)
- BPM
- 151
- Half-time
- 76
- Open Key
- 3m
- Energy
- 49/100
- Pop
- 0/100
- Length
- 5:16
- Released
- 2017
- Album
- El Origen - Single
- Genre
- Cumbia
- Loudness
- -11.2 dB
- ISRC
- USCCW1610654
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- El Origenoriginal10A · 148
Against the original (10A at 148 BPM), this version runs 3 BPM faster in the same key.
At 151 BPM in B minor (10A), El Origen (Nicola Cruz Remix) is a fast cumbia production. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Nicola Cruz's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- groovier than 95% of Nicola Cruz's catalogue
- Tempo:
- faster than 88% of Nicola Cruz's catalogue
- Brightness:
- brighter than 88% of Nicola Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is El Origen (Nicola Cruz Remix) in?
El Origen (Nicola Cruz Remix) by Nicola Cruz is in B minor, or 10A on the Camelot wheel.
What BPM is El Origen (Nicola Cruz Remix)?
El Origen (Nicola Cruz Remix) runs at 151 BPM, a fast track.
What mixes well with El Origen (Nicola Cruz Remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is El Origen (Nicola Cruz Remix) good for peak time?
With energy 49 out of 100 at 151 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 151 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 142-160 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 151 — beatmatch without a big tempo pull.
More cumbia
More from Nicola Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 151 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.