Sound of the Samba - Masters At Work Instrumental remix
30s preview
- BPM
- 158
- Half-time
- 79
- Open Key
- 8d
- Energy
- 57/100
- Pop
- 4/100
- Length
- 9:56
- Released
- 2024
- Album
- Sound of the Samba (Masters At Work instrumental remix)
- Genre
- Latin
- Loudness
- -14.2 dB
- Dynamics
- 17.8 dB
- ISRC
- QM6N22471466
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Sound of the Samba - Masters At Work Instrumental remix runs 158 BPM in D♭ major (3B), a fast latin record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Faster than 97% of Masters At Work's catalogue.
- Groove:
- less groove-driven than 97% of Masters At Work's catalogue
- Energy:
- calmer than 89% of Masters At Work's catalogue
- Low end:
- more treble-tilted than 77% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Sound of the Samba - Masters At Work Instrumental remix in?
Sound of the Samba - Masters At Work Instrumental remix by Masters At Work is in D♭ major, or 3B on the Camelot wheel.
What BPM is Sound of the Samba - Masters At Work Instrumental remix?
Sound of the Samba - Masters At Work Instrumental remix runs at 158 BPM, a fast track.
What mixes well with Sound of the Samba - Masters At Work Instrumental remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Sound of the Samba - Masters At Work Instrumental remix good for peak time?
With energy 57 out of 100 at 158 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 158 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 149-167 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 158 — beatmatch without a big tempo pull.
More latin
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 158 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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