I Wish I Could See It Too - Commentary Version
- Key
- 8A · A minor
- BPM
- 75
- Double-time
- 150
- Open Key
- 1m
- Energy
- 35/100
- Pop
- 0/100
- Length
- 5:43
- Released
- 2020
- Album
- Building Better Worlds (Commentary Version)
- Genre
- Drum N Bass
- Loudness
- -15.9 dB
- ISRC
- GBCJY2000210
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 75 BPM in A minor (8A), I Wish I Could See It Too - Commentary Version is a drum n bass production. The feel is subdued and even. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. Groovier than 99% of London Elektricity's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of London Elektricity's catalogue
- Tempo:
- slower than 98% of London Elektricity's catalogue
- Energy:
- calmer than 94% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Wish I Could See It Too - Commentary Version in?
I Wish I Could See It Too - Commentary Version by London Elektricity is in A minor, or 8A on the Camelot wheel.
What BPM is I Wish I Could See It Too - Commentary Version?
I Wish I Could See It Too - Commentary Version runs at 75 BPM.
What mixes well with I Wish I Could See It Too - Commentary Version?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is I Wish I Could See It Too - Commentary Version good for peak time?
With energy 35 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 75 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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