Better Half (The End)
30s preview
- BPM
- 75
- Double-time
- 150
- Open Key
- 11d
- Energy
- 13/100
- Pop
- 7/100
- Length
- 1:46
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -19.9 dB
- Dynamics
- 16.7 dB
- ISRC
- USA2P1296164
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Better Half (The End) runs 75 BPM in B♭ major (6B), a drum n bass record. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2013 production that still circulates in sets. Calmer than 97% of Noisia's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 97% of Noisia's catalogue
- Brightness:
- darker than 90% of Noisia's catalogue
- Low end:
- more bass-heavy than 89% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Better Half (The End) in?
Better Half (The End) by Noisia is in B♭ major, or 6B on the Camelot wheel.
What BPM is Better Half (The End)?
Better Half (The End) runs at 75 BPM.
What mixes well with Better Half (The End)?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Better Half (The End) good for peak time?
With energy 13 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 75 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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