Eric Talks Mighty Love (Instrumental)
- BPM
- 77
- Double-time
- 154
- Open Key
- 7m
- Energy
- 7/100
- Pop
- 2/100
- Length
- 1:13
- Released
- 2012
- Album
- Eric Prydz Presents Pryda (Track By Track)
- Genre
- Drum N Bass
- Loudness
- -30.1 dB
- ISRC
- GB6CM1200051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Eric Talks Mighty Love (Instrumental) runs 77 BPM in E♭ minor (2A), a drum n bass record. The feel is subdued and even. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Calmer than 99% of Eric Prydz's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Eric Talks Mighty Love (Instrumental) in?
Eric Talks Mighty Love (Instrumental) by Eric Prydz is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Eric Talks Mighty Love (Instrumental)?
Eric Talks Mighty Love (Instrumental) runs at 77 BPM.
What mixes well with Eric Talks Mighty Love (Instrumental)?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Eric Talks Mighty Love (Instrumental) good for peak time?
With energy 7 out of 100 at 77 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 77 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 72-82 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 77 — beatmatch without a big tempo pull.
More drum n bass
More from Eric Prydz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 77 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.