Coming Home - Break Remix Dub
30s preview
- BPM
- 171
- Half-time
- 86
- Open Key
- 4m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:55
- Released
- 2015
- Album
- Coming Home (Remixes)
- Genre
- Drum N Bass
- Loudness
- -4.3 dB
- Dynamics
- 12.5 dB
- ISRC
- GBSXS1500204
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Coming Home - Parallel Remixremix11A · 93
- Coming Homeoriginal12B · 77
- Coming Home - Break Remixremix12A · 171
- Coming Home - Danny Howard Dub Remixremix9A · 124
- Coming Home - M-22 Remixremix12A · 124
- Coming Homeoriginal12B · 85
Against the original (12B at 77 BPM), this version runs 94 BPM faster and moves the key from 12B to 11A.
A drum n bass cut, Coming Home - Break Remix Dub sits in F♯ minor (11A) at 171 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Sigma's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- darker than 80% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Coming Home - Break Remix Dub in?
Coming Home - Break Remix Dub by Sigma is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Coming Home - Break Remix Dub?
Coming Home - Break Remix Dub runs at 171 BPM.
What mixes well with Coming Home - Break Remix Dub?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Coming Home - Break Remix Dub good for peak time?
With energy 92 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 171 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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