Coming Home - Parallel Remix
- BPM
- 93
- Double-time
- 186
- Open Key
- 4m
- Energy
- 79/100
- Pop
- 15/100
- Length
- 3:46
- Released
- 2016
- Album
- Coming Home (Parallel Remix)
- Genre
- Drum N Bass
- Loudness
- -4.9 dB
- ISRC
- GBSXS1500208
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Coming Homeoriginal12B · 77
- Coming Home - Break Remixremix12A · 171
- Coming Home - Break Remix Dubremix11A · 171
- Coming Home - Danny Howard Dub Remixremix9A · 124
- Coming Home - M-22 Remixremix12A · 124
- Coming Homeoriginal12B · 85
Against the original (12B at 77 BPM), this version runs 16 BPM faster and moves the key from 12B to 11A.
Coming Home - Parallel Remix: slow-groove tempo drum n bass, F♯ minor (11A), 93 BPM. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Slower than 80% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Coming Home - Parallel Remix in?
Coming Home - Parallel Remix by Sigma is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Coming Home - Parallel Remix?
Coming Home - Parallel Remix runs at 93 BPM, a slow-groove tempo track.
What mixes well with Coming Home - Parallel Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Coming Home - Parallel Remix good for peak time?
With energy 79 out of 100 at 93 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 93 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 93 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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