All Goes Wrong - Premiership VIP
30s preview
- BPM
- 92
- Double-time
- 184
- Open Key
- 4m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 3:34
- Released
- 2016
- Album
- All Goes Wrong (Premiership VIP)
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- Dynamics
- 10.9 dB
- ISRC
- GBUM71604501
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Goes Wrong - Dawn Wall Remixremix11A · 175
- All Goes Wrong - Acousticoriginal11A · 116
- All Goes Wrongoriginal11A · 117
- All Goes Wrong - Salvatore Ganacci Remixremix11A · 110
- All Goes Wrong - Tough Love Remixremix11A · 126
- All Goes Wrongoriginal11A · 117
Against the original (11A at 117 BPM), this version runs 25 BPM slower in the same key.
All Goes Wrong - Premiership VIP: slow-groove tempo drum n bass, F♯ minor (11A), 92 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2016 production that still circulates in sets. More underground than 99% of Chase & Status's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 85% of Chase & Status's catalogue
- Low end:
- more bass-heavy than 79% of Chase & Status's catalogue
- Brightness:
- darker than 77% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All Goes Wrong - Premiership VIP in?
All Goes Wrong - Premiership VIP by Chase & Status is in F♯ minor, or 11A on the Camelot wheel.
What BPM is All Goes Wrong - Premiership VIP?
All Goes Wrong - Premiership VIP runs at 92 BPM, a slow-groove tempo track.
What mixes well with All Goes Wrong - Premiership VIP?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is All Goes Wrong - Premiership VIP good for peak time?
With energy 89 out of 100 at 92 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 92 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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