Stand Off
- BPM
- 175
- Half-time
- 88
- Open Key
- 7d
- Energy
- 90/100
- Pop
- 9/100
- Length
- 6:23
- Released
- 2004
- Genre
- Drum N Bass
- Loudness
- -10.4 dB
- ISRC
- NLCK41056419
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stand Off: drum n bass, F♯ major (2B), 175 BPM. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Brighter than 78% of Chase & Status's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stand Off in?
Stand Off by Chase & Status is in F♯ major, or 2B on the Camelot wheel.
What BPM is Stand Off?
Stand Off runs at 175 BPM.
What mixes well with Stand Off?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Stand Off good for peak time?
With energy 90 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 175 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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