Logical Reprise
30s preview
- Key
- 8A · A minor
- BPM
- 186
- Half-time
- 93
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 32/100
- Length
- 3:58
- Released
- 1991
- Genre
- Drum N Bass
- Loudness
- -9.8 dB
- Dynamics
- 13.1 dB
- ISRC
- GBCCH9000003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Logical Reprise sits in A minor (8A) at 186 BPM. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 1991 production that still circulates in sets. Faster than 97% of LTJ Bukem's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 97% of LTJ Bukem's catalogue
- Low end:
- more bass-heavy than 88% of LTJ Bukem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Logical Reprise in?
Logical Reprise by LTJ Bukem is in A minor, or 8A on the Camelot wheel.
What BPM is Logical Reprise?
Logical Reprise runs at 186 BPM.
What mixes well with Logical Reprise?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Logical Reprise good for peak time?
With energy 88 out of 100 at 186 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
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How to mix it
In 8A at 186 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 175-197 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 186 — beatmatch without a big tempo pull.
More drum n bass
More from LTJ Bukem
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 186 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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