The Strangest Secret in the World
30s preview
- Key
- 6A · G minor
- BPM
- 94
- Double-time
- 188
- Open Key
- 11m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 4:43
- Released
- 2005
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- Dynamics
- 14.4 dB
- ISRC
- GBCJY0610708
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Strangest Secret in the World is a slow-groove tempo drum n bass track in G minor (6A) at 94 BPM. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue.
- Energy:
- hotter than 89% of London Elektricity's catalogue
- Low end:
- more treble-tilted than 88% of London Elektricity's catalogue
- Tempo:
- slower than 82% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is The Strangest Secret in the World in?
The Strangest Secret in the World by London Elektricity is in G minor, or 6A on the Camelot wheel.
What BPM is The Strangest Secret in the World?
The Strangest Secret in the World runs at 94 BPM, a slow-groove tempo track.
What mixes well with The Strangest Secret in the World?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is The Strangest Secret in the World good for peak time?
With energy 96 out of 100 at 94 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 94 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 88-100 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 94 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 94 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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