Time to Think by London Elektricity cover art

Time to Think

London Elektricity

30s preview

Key
9B · G major
BPM
175
Half-time
88
Open Key
2d
Energy
94/100
Pop
0/100
Length
4:11
Released
2019
Genre
Drum N Bass
Loudness
-2.0 dB
Dynamics
11.2 dB
ISRC
GBCJY2100301

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 175 BPM in G major (9B), Time to Think is a drum n bass production. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
faster than 92% of London Elektricity's catalogue
Energy:
hotter than 79% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood50Balanced
Groove45
Acoustic2
Instrumental3
Live7
Speech20

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Time to Think in?

Time to Think by London Elektricity is in G major, or 9B on the Camelot wheel.

What BPM is Time to Think?

Time to Think runs at 175 BPM.

What mixes well with Time to Think?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Time to Think good for peak time?

With energy 94 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 175 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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