Waiting - 2024 Remaster
30s preview
- BPM
- 175
- Half-time
- 88
- Open Key
- 3d
- Energy
- 96/100
- Pop
- 1/100
- Length
- 6:04
- Released
- 2024
- Album
- Trust / Waiting (2024 Remasters)
- Genre
- Drum N Bass
- Loudness
- -3.0 dB
- Dynamics
- 13.6 dB
- ISRC
- GBZSD2400006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Waiting - Original Mixoriginal10B · 175
At 175 BPM in D major (10B), Waiting - 2024 Remaster is a drum n bass production. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 89% of Calibre's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 82% of Calibre's catalogue
- Brightness:
- brighter than 79% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Waiting - 2024 Remaster in?
Waiting - 2024 Remaster by Calibre is in D major, or 10B on the Camelot wheel.
What BPM is Waiting - 2024 Remaster?
Waiting - 2024 Remaster runs at 175 BPM.
What mixes well with Waiting - 2024 Remaster?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Waiting - 2024 Remaster good for peak time?
With energy 96 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 175 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.