The Mastard Song
30s preview
- Key
- 9B · G major
- BPM
- 89
- Double-time
- 178
- Open Key
- 2d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 4:02
- Released
- 2006
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- Dynamics
- 14.9 dB
- ISRC
- GBCJY0610707
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Mastard Song is a downtempo drum n bass track in G major (9B) at 89 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. The timbre leans bright. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 94% of London Elektricity's catalogue
- Energy:
- hotter than 91% of London Elektricity's catalogue
- Tempo:
- slower than 84% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is The Mastard Song in?
The Mastard Song by London Elektricity is in G major, or 9B on the Camelot wheel.
What BPM is The Mastard Song?
The Mastard Song runs at 89 BPM, a downtempo track.
What mixes well with The Mastard Song?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is The Mastard Song good for peak time?
With energy 97 out of 100 at 89 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 89 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 89 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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