I Wish You Could See It Too
30s preview
- BPM
- 176
- Half-time
- 88
- Open Key
- 3d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:06
- Released
- 2019
- Genre
- Drum N Bass
- Loudness
- -4.5 dB
- Dynamics
- 15.5 dB
- ISRC
- GBCJY2100306
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Wish You Could See It Too runs 176 BPM in D major (10B), a drum n bass record. It reads as dark and driving. The mix is almost entirely instrumental. The timbre leans bright. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 95% of London Elektricity's catalogue
- Brightness:
- darker than 79% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Wish You Could See It Too in?
I Wish You Could See It Too by London Elektricity is in D major, or 10B on the Camelot wheel.
What BPM is I Wish You Could See It Too?
I Wish You Could See It Too runs at 176 BPM.
What mixes well with I Wish You Could See It Too?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is I Wish You Could See It Too good for peak time?
With energy 93 out of 100 at 176 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 176 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 176 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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