Take Down by A.M.C cover art

Take Down

A.M.C

30s preview

Key
3B · D♭ major
BPM
175
Half-time
88
Open Key
8d
Energy
91/100
Pop
4/100
Length
4:29
Released
2015
Genre
Drum N Bass
Loudness
-3.2 dB
Dynamics
16.3 dB
ISRC
GB2LD0902244

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Take Down runs 175 BPM in D♭ major (3B), a drum n bass record. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2015 production that still circulates in sets. More bass-heavy than 88% of A.M.C's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
calmer than 83% of A.M.C's catalogue
Brightness:
darker than 82% of A.M.C's catalogue
Tempo:
faster than 78% of A.M.C's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood10Dark
Groove60
Acoustic0
Instrumental57
Live11
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Take Down in?

Take Down by A.M.C is in D♭ major, or 3B on the Camelot wheel.

What BPM is Take Down?

Take Down runs at 175 BPM.

What mixes well with Take Down?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Take Down good for peak time?

With energy 91 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 175 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from A.M.C

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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