Superstructure by London Elektricity cover art

Superstructure

London Elektricity

Key
7A · D minor
BPM
182
Half-time
91
Open Key
12m
Energy
64/100
Pop
2/100
Length
6:50
Released
1998
Genre
Drum N Bass
Loudness
-8.5 dB
ISRC
GBCJY0130002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 182 BPM in D minor (7A), Superstructure is a drum n bass production. The feel is dark and driving. It is vocal-led. A 1998 production that still circulates in sets. Faster than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
groovier than 82% of London Elektricity's catalogue
Energy:
calmer than 81% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood22Dark
Groove63
Acoustic5
Instrumental15
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Superstructure in?

Superstructure by London Elektricity is in D minor, or 7A on the Camelot wheel.

What BPM is Superstructure?

Superstructure runs at 182 BPM.

What mixes well with Superstructure?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Superstructure good for peak time?

With energy 64 out of 100 at 182 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 182 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 171-193 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 182 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 182 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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