Believe It
- Key
- 6A · G minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 11m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 6:14
- Released
- 2015
- Album
- Dreamz Dub EP
- Genre
- Drum N Bass
- Loudness
- -9.0 dB
- ISRC
- GBRD51500279
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Believe It: drum n bass, G minor (6A), 175 BPM. Tonally it lands dark and steady. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Calibre's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 84% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Believe It in?
Believe It by Calibre is in G minor, or 6A on the Camelot wheel.
What BPM is Believe It?
Believe It runs at 175 BPM.
What mixes well with Believe It?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Believe It good for peak time?
With energy 52 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 175 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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