Just One Second (radio edit)
30s preview
- Key
- 5A · C minor
- BPM
- 87
- Double-time
- 174
- Open Key
- 10m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 4:23
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -9.3 dB
- Dynamics
- 18.7 dB
- ISRC
- GBCJY2000113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Just One Second (radio edit): downtempo drum n bass, C minor (5A), 87 BPM. Vocals read as voice. The timbre leans bright. The master keeps unusual dynamic range for club music (crest 19 dB). A 2008 production that still circulates in sets. Less groove-driven than 99% of London Elektricity's catalogue.
- Reach:
- more underground than 99% of London Elektricity's catalogue
- Brightness:
- darker than 96% of London Elektricity's catalogue
- Energy:
- calmer than 95% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Just One Second (radio edit) in?
Just One Second (radio edit) by London Elektricity is in C minor, or 5A on the Camelot wheel.
What BPM is Just One Second (radio edit)?
Just One Second (radio edit) runs at 87 BPM, a downtempo track.
What mixes well with Just One Second (radio edit)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Just One Second (radio edit) good for peak time?
With energy 33 out of 100 at 87 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 87 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 87 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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