The Numbers Man (Part 1) (Part 1)
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3m
- Energy
- 35/100
- Pop
- 0/100
- Length
- 4:01
- Released
- 2025
- Genre
- Drum N Bass
- Loudness
- -13.9 dB
- Dynamics
- 11.2 dB
- ISRC
- GXFRF2510013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Numbers Man (Part 1) (Part 1) is a drum n bass track in B minor (10A) at 172 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of London Elektricity's catalogue.
- Low end:
- more bass-heavy than 98% of London Elektricity's catalogue
- Groove:
- less groove-driven than 96% of London Elektricity's catalogue
- Energy:
- calmer than 94% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is The Numbers Man (Part 1) (Part 1) in?
The Numbers Man (Part 1) (Part 1) by London Elektricity is in B minor, or 10A on the Camelot wheel.
What BPM is The Numbers Man (Part 1) (Part 1)?
The Numbers Man (Part 1) (Part 1) runs at 172 BPM.
What mixes well with The Numbers Man (Part 1) (Part 1)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Numbers Man (Part 1) (Part 1) good for peak time?
With energy 35 out of 100 at 172 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 172 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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