Remember the Future
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8m
- Energy
- 20/100
- Pop
- 0/100
- Length
- 4:52
- Released
- 2005
- Genre
- Drum N Bass
- Loudness
- -14.9 dB
- Dynamics
- 15.6 dB
- ISRC
- GBCJY2000649
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Remember the Future runs 174 BPM in B♭ minor (3A), a drum n bass record. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2005 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of London Elektricity's catalogue
- Groove:
- groovier than 86% of London Elektricity's catalogue
- Low end:
- more bass-heavy than 86% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Remember the Future in?
Remember the Future by London Elektricity is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Remember the Future?
Remember the Future runs at 174 BPM.
What mixes well with Remember the Future?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Remember the Future good for peak time?
With energy 20 out of 100 at 174 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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