Now You're Gone - Break Remix
30s preview
- BPM
- 175
- Half-time
- 88
- Open Key
- 3m
- Energy
- 46/100
- Pop
- 0/100
- Length
- 5:20
- Released
- 2016
- Album
- Now You're Gone (Break Remix) / Lost Soul
- Genre
- Drum N Bass
- Loudness
- -5.0 dB
- Dynamics
- 18.6 dB
- ISRC
- NLCK41029003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Now You're Gone - Break Remix runs 175 BPM in B minor (10A), a drum n bass record. The feel is dark and steady. The master keeps unusual dynamic range for club music (crest 19 dB). A 2016 production that still circulates in sets. Calmer than 99% of Break's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- darker than 99% of Break's catalogue
- Reach:
- more underground than 99% of Break's catalogue
- Low end:
- more treble-tilted than 99% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Now You're Gone - Break Remix in?
Now You're Gone - Break Remix by Break is in B minor, or 10A on the Camelot wheel.
What BPM is Now You're Gone - Break Remix?
Now You're Gone - Break Remix runs at 175 BPM.
What mixes well with Now You're Gone - Break Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Now You're Gone - Break Remix good for peak time?
With energy 46 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 175 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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