And the World Was Gone - Calibre Remix
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 4d
- Energy
- 49/100
- Pop
- 2/100
- Length
- 6:00
- Released
- 2013
- Album
- And the World Was Gone
- Genre
- Drum N Bass
- Loudness
- -10.5 dB
- Dynamics
- 10.0 dB
- ISRC
- GBEXH1300115
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, And the World Was Gone - Calibre Remix sits in A major (11B) at 173 BPM. It reads as balanced in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 86% of Calibre's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 83% of Calibre's catalogue
- Reach:
- more underground than 79% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is And the World Was Gone - Calibre Remix in?
And the World Was Gone - Calibre Remix by Calibre is in A major, or 11B on the Camelot wheel.
What BPM is And the World Was Gone - Calibre Remix?
And the World Was Gone - Calibre Remix runs at 173 BPM.
What mixes well with And the World Was Gone - Calibre Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is And the World Was Gone - Calibre Remix good for peak time?
With energy 49 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 173 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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