Melanie by Alix Perez cover art

Melanie

Alix Perez

30s preview

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
41/100
Pop
13/100
Length
5:06
Released
2009
Album
I'm Free / Melanie
Genre
Drum N Bass
Loudness
-7.0 dB
Dynamics
14.9 dB
ISRC
GBPWR0600059

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Melanie: drum n bass, B♭ minor (3A), 174 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2009 production that still circulates in sets. Calmer than 95% of Alix Perez's catalogue. In a set it works best as a warm-up or breakdown cut.

Low end:
more treble-tilted than 94% of Alix Perez's catalogue
Brightness:
brighter than 78% of Alix Perez's catalogue
Tempo:
faster than 77% of Alix Perez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood46Balanced
Groove62
Acoustic1
Instrumental81
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Melanie in?

Melanie by Alix Perez is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Melanie?

Melanie runs at 174 BPM.

What mixes well with Melanie?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Melanie good for peak time?

With energy 41 out of 100 at 174 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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