Blurred Lines by Alix Perez cover art

Blurred Lines

Alix Perez

30s preview

Key
1A · A♭ minor
BPM
174
Half-time
87
Open Key
6m
Energy
55/100
Pop
20/100
Length
5:27
Released
2020
Genre
Drum N Bass
Loudness
-6.0 dB
Dynamics
9.7 dB
ISRC
UKEWB1600168

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in A♭ minor (1A), Blurred Lines is a drum n bass production. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 84% of Alix Perez's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 81% of Alix Perez's catalogue
Tempo:
faster than 77% of Alix Perez's catalogue
Reach:
better known than 75% of Alix Perez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood17Dark
Groove53
Acoustic0
Instrumental90
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Blurred Lines in?

Blurred Lines by Alix Perez is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Blurred Lines?

Blurred Lines runs at 174 BPM.

What mixes well with Blurred Lines?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Blurred Lines good for peak time?

With energy 55 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 174 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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