Phase Us - Beatless Mix
30s preview
- Key
- 8A · A minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 1m
- Energy
- 44/100
- Pop
- 2/100
- Length
- 4:57
- Released
- 2015
- Album
- Are We There Yet? (Deluxe)
- Genre
- Drum N Bass
- Loudness
- -12.9 dB
- Dynamics
- 15.3 dB
- ISRC
- GBCJY1500276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Phase Us - Subwave Remixremix8B · 172
- Phase Usoriginal8A · 172
Phase Us - Beatless Mix: drum n bass, A minor (8A), 172 BPM. It reads as dark and steady. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Calmer than 92% of London Elektricity's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 90% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Phase Us - Beatless Mix in?
Phase Us - Beatless Mix by London Elektricity is in A minor, or 8A on the Camelot wheel.
What BPM is Phase Us - Beatless Mix?
Phase Us - Beatless Mix runs at 172 BPM.
What mixes well with Phase Us - Beatless Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Phase Us - Beatless Mix good for peak time?
With energy 44 out of 100 at 172 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 172 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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