You'll Always Be a Part of Me
30s preview
- BPM
- 85
- Double-time
- 170
- Open Key
- 3m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 3:21
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -11.1 dB
- Dynamics
- 14.5 dB
- ISRC
- GBCJY1500020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You'll Always Be a Part of Me is a downtempo drum n bass track in B minor (10A) at 85 BPM. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Etherwood's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 92% of Etherwood's catalogue
- Groove:
- less groove-driven than 91% of Etherwood's catalogue
- Energy:
- calmer than 82% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is You'll Always Be a Part of Me in?
You'll Always Be a Part of Me by Etherwood is in B minor, or 10A on the Camelot wheel.
What BPM is You'll Always Be a Part of Me?
You'll Always Be a Part of Me runs at 85 BPM, a downtempo track.
What mixes well with You'll Always Be a Part of Me?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is You'll Always Be a Part of Me good for peak time?
With energy 50 out of 100 at 85 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 85 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 85 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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