Remember
- BPM
- 145
- Half-time
- 73
- Open Key
- 3m
- Energy
- 98/100
- Pop
- 13/100
- Length
- 3:30
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- ISRC
- GBTMZ1990050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo drum n bass cut, Remember sits in B minor (10A) at 145 BPM. It is vocal-led. The master is loud and heavily compressed. A 2018 production that still circulates in sets. Slower than 91% of Matrix & Futurebound's catalogue.
- Groove:
- groovier than 83% of Matrix & Futurebound's catalogue
- Energy:
- hotter than 75% of Matrix & Futurebound's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Remember in?
Remember by Matrix & Futurebound is in B minor, or 10A on the Camelot wheel.
What BPM is Remember?
Remember runs at 145 BPM, a driving up-tempo track.
What mixes well with Remember?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Remember good for peak time?
With energy 98 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 145 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More drum n bass
More from Matrix & Futurebound
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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